百度云播
《克里米亞的寶藏》劇情介紹
由Oeke,Hoogendijk執(zhí)導(dǎo)、匯聚等優(yōu)秀演員陣容的克里米亞的寶藏，將2021 年度其它 語(yǔ)系與 其它 文化完美交融，帶來(lái)一場(chǎng)與眾不同的視覺(jué)和聽(tīng)覺(jué)盛宴。
值得一提的是，該片在上映后迅速收獲了平均分更是高達(dá)1.0。這都印證了影片優(yōu)秀品質(zhì)與廣泛認(rèn)可度。
影片所呈現(xiàn)的 It was a fateful coincidence that in 2014, just when the Allard Pierson Museum in Amsterdam was st僅僅是個(gè)引子，真正的故事魅力還需從 It was a fateful coincidence that in 2014, just when the Allard Pierson Museum in Amsterdam was staging an exhibition of Crimean artworks, Russia annexed the region. So now the question arises of who should the artworks be returned to? To the museums in Crimea who had been so kind as to loan them out? Or to Ukraine, perhaps, the country Crimea belonged to before the annexation? What should the museum’s director Wim Hupperetz do?
Veteran documentary filmmaker Oeke Hoogendijk (The New Rijksmuseum) is just the woman for the job when it comes to turning this complex issue into an exciting film, and finding the human dimension in a tangled judicial tug-of-war. Political, emotional, personal, cultural, and historical interests all jostle for position as lawyers arguing from a purely judicial perspective present their case and distressed museum directors face big gaps in their collections.
While archaeologists in Crimea continue their groundbreaking historical work, it looks like their previous finds are going to be re-buried in the Netherlands—shut off from the world in a warehouse, they are perhaps the biggest losers in this conflict.
如果你對(duì)電影 或 記錄,其他片 題材情有獨(dú)鐘，《克里米亞的寶藏》無(wú)疑是一個(gè)不容錯(cuò)過(guò)的選擇。歡迎走進(jìn)它的世界，感受時(shí)長(zhǎng)約的宏大篇章，在這里，你將邂逅驚喜、震撼與思考。
更多關(guān)于 等劇情亮點(diǎn)，敬請(qǐng)?jiān)?juqingpian 圈層內(nèi)持續(xù)關(guān)注。讓我們共同見(jiàn)證這部佳作帶來(lái)的全新沖擊！
網(wǎng)友推薦影片
蓬萊仙山寫(xiě)真-夏日玫瑰未來(lái)的嫂子
最后，在里面做這件事的男孩
請(qǐng)擁抱我到早上
壞男人：偷吃我的妻子
高薪兼職的妻子們
猜你喜歡